約 5,745,837 件

• mrfrtech @ ウィキ - Blockchain As A Service Market

  https://w.atwiki.jp/mrfrtech/pages/12.html

  Blockchain As A Service Market Market Scenario The Blockchain as a Service Market will grow at a whopping 20.06% CAGR in the forecast period (2020 2027), states the latest Market Research Future (MRFR) report. Rivers Growing Integration of AI and Blockchain Technologies to Boost Market Growth The growing integration of AI (artificial intelligence) and blockchain technologies with biometrics as a service (BaaS) solutions will boost the market over the forecast period. Opportunities Rising Adoption of Cloud-based Services to offer Robust Opportunities The rising adoption of cloud-based services by enterprises will offer robust opportunities for the market in the forecast period. Enterprises are adopting cloud-based services increasingly for their business functions owing to their different benefits like agility, disaster recovery, flexibility, and lower costs. Besides the cloud offers the perks of hybrid cloud deployment that offers the perks of both the public and private clouds. Due to cloud deployment, enterprises can avail the biometric security capabilities without the need for any complex infrastructure. Restraints and Challenges Security Issues and Privacy Concerns to act as Market Restraint The security issues and privacy concerns of biometric data stored on the cloud may act as a market restraint over the forecast period. Besides, the integration of biometric as a service into the existing systems may also impede market growth. COVID-19 Analysis The BaaS market has been substantially impacted owing to the increasing pandemic situation across the globe. The COVID-19 outbreak has led to reduced business activities as governments had enforced lockdowns. Owing to this, the dependency on online businesses has significantly grown to offer necessary services to consumers. Thus the increased need for biometric as a service as this offers robustness and security to the data. BaaS simplifies business processes and also affording transparency and immutability as well as increase focus on operational efficiency. Also, BaaS devices are also used in retail malls and buildings to screen people during the crisis before they enter. They can detect this using AI technology if anyone is not wearing a mask or has high temperature. Further, touchless technologies are also flooding the market now. Airports, hospitals, offices, and secure locations are making the most of non-contact biometric attendance. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/7942 Competitive Outlook Prominent players profiled in the global biometric as a service market report include Idemia (France), NEC (Japan), Thales (France), M2SYS (US), Fujitsu (Japan), Aware (US), Leidos (US), Nuance (US), Certisign (Brazil), HYPR (US), BioID (Germany), Ayonix (Japan), Phonexia (US), Lexis Nexis (US), Cognitec Systems (Germany), Iritech (US), Affectiva (US), Nviso (Switzerland), Fingerprints (Sweden), Bayometric (US), Google (US), Microsoft (US), IBM (US), Amazon (US), and Accenture (Ireland). Segmentation The biometric as a service market is bifurcated based on vertical, organization size, modality, solution trait, solution type, and offering. By offering, the service segment will lead the market over the forecast period. By solution type, the face recognition segment will dominate the market over the forecast period. By solution trait, the biometric as a service market has been segmented into behavioral and physiological. By modality, the unimodal segment will spearhead the market over the forecast period. By organization size, large enterprises will have the lions share in the market over the forecast period. By vertical, the retail segment will have the largest share in the market over the forecast period. Regional Analysis North America to Command Biometric as a Service Market North America will command the biometric as a service market over the forecast period. Faster adoption of innovative technologies in Mexico, Canada, and the US, the region being most technologically advanced, the presence of several leading industry players such as Amazon, IBM, Microsoft, and Google, large scale funded programs, employee access monitoring in buildings, rapid surge in online transactions, increase in advance cyber-attacks, and high IT security spending are adding to the global biometric as a service market growth in the region. Access Report Details @ https //www.marketresearchfuture.com/reports/blockchain-service-market-7942 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Similar Report Application Management Services Market By Service-Type (System Integration, Consulting Services, Modernization Services, And Others), By Organization Size, By Deployment, And By End-Users Open Source Intelligence (OSINT) Market By Security Type (Human Intelligence, Content Intelligence, Dark Web Analysis, Link/Network Analysis, Data Analytics, Text Analytics, Artificial Intelligence, Big Data, Others), Technology (Bid Data Software, Video Analytics, Text Analytics, Visualization Tool, Cyber Security, Web Analysis, Social Media Analysis, Others), Application (Military Defense, Homeland Security, Private Sector, Public Sector, National Security, Others) About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. The best part is they know their work inside out and possess the expertise to guide the client in the right direction and achieve results on a tight deadline. We are a one-stop solution for all your data research needs. Our team does not believe in the “one size fits all” approach to creating a report that is detailed and concise. We handle 13 industry verticals including Healthcare, Chemicals and Materials, Information and Communications Technology, Semiconductor and Electronics, Energy and Power, Food, Beverages Nutrition, Automobile, Consumer and Retail, Aerospace and Defense, Industrial Automation and Equipment, Packaging Transport, Construction, and Agriculture. With our unique approach for every market report, we aim to reach the zenith in qualitative business intelligence and syndicated market research. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #growth #trend #report #analyis #share #marketing #forecast #digital #geographic #demographic #gnews Plugin Error キーワードを入力してください。 #tech #researchreport #marketreport #futrue

• bemaniCD情報まとめwiki - Starving Trancer

  https://w.atwiki.jp/bemani_cd/pages/208.html

  使用名義情報単独名義 合作名義 参加楽曲 リリース情報 参加CD情報 名前 Yusuke Ceo 所属 EXIT TUNES bemani初参加 XANADU OF TWO T.Kakuta With Starving Trancer＋森永真由美 beatmaniaⅡDX18 Resort Anthem 使用名義情報 単独名義 名義 初出 備考 Starving Trancer Dance Dance Revolution（2013） Xceon beatmaniaⅡDX21 SPADA 合作名義 名義 相手 初出 備考 Another Infinity Ryu☆ HHHxMMxST Ryu☆,Dai,Halka,Mayumi Morinaga beatmaniaⅡDX19 Lincle Levaslater Ryu☆ beatmaniaⅡDX19 Lincle movies（moimoixXceonxDai.） Mayumi Morinaga,Dai. pop n music ラピストリア T.Kakuta With Starving Trancer＋森永真由美 L.E.D.（T.Kakuta）,Mayumi Morinaga beatmaniaⅡDX18 Resort Anthem 参加楽曲 楽曲名 名義 機種 備考 405nm (Ryu☆mix) Another Infinity beatmaniaⅡDX20 tricoro 800nm Another Infinity(Ryu☆×Starving Trancer) GuitarFreaks XG3/DrumMania XG3/jubeat copious APPEND Fly you to the star Another Infinity feat.Mayumi Morinaga beatmaniaⅡDX20 tricoro Follow Tomorrow HHHxMMxST beatmaniaⅡDX19 Lincle It s my Miracle Another Infinity feat.Mayumi Morinaga REFLEC BEAT Colette New Gravity Starving Trancer Dance Dance Revolution（2013） NNRT Levaslater beatmaniaⅡDX19 Lincle Realize Maze movies(moimoi×Xceon×Dai.) pop n music ラピストリア Too Late Snow movies(moimoi×Xceon×Dai.) jubeat prop 十六夜セツナ Xceon feat.Mayumi Morinaga beatmaniaⅡDX22 PENDUAL 朧 HHHxMMxST pop n music20 fantasia サクラヨゾラ Xceon feat.Mayumi Morinaga REFLEC BEAT groovin !! 罪と罰 Xceon feat.Mayumi Morinaga beatmaniaⅡDX21 SPADA リリース情報 CDタイトル リリース日 リンク 備考 罪と罰 2015.02.04 http //exittunes.com/detail/qwce-00431.html 参加CD情報 CDタイトル リリース日 参加トラック リンク 備考 blue moment 2015.04.22 blue moment http //etotama.com/cd/ TVアニメ「えとたま」EDテーマ

• Library of Legacydeck - 2011 / 10 / 01 Ovino Sex

  https://w.atwiki.jp/mtg2384/pages/1101.html

  開催日：2011 / 10 / 01 参加人数：390名 フォーマット：レガシー（～ISD） 1/10/11 - Ovino_Sex Milano Official Report autolink 優勝：UBG Tempo 準優勝：URG Tempo‐Punishing Cascade 第3位：UW Control‐CounterTop ThopterSword +r 第4位：SpiralTide 第5位：Maverick 第6位：URG Tempo‐Canadian 第7位：URG Tempo‐Order 第8位：URG Tempo‐Canadian 優勝：UBG Tempo 使用者：Marcotti Davide Main Deck 2《Bayou》 3《霧深い雨林/Misty Rainforest》 2《汚染された三角州/Polluted Delta》 2《Tropical Island》 4《Underground Sea》 4《新緑の地下墓地/Verdant Catacombs》 4《不毛の大地/Wasteland》 3《秘密を掘り下げる者/Delver of Secrets》 2《瞬唱の魔道士/Snapcaster Mage》 4《タルモゴイフ/Tarmogoyf》 3《墓忍び/Tombstalker》 4《渦まく知識/Brainstorm》 3《目くらまし/Daze》 2《四肢切断/Dismember》 4《Force of Will》 1《恐ろしい死/Ghastly Demise》 1《喉首狙い/Go for the Throat》 4《Hymn to Tourach》 2《思案/Ponder》 3《思考囲い/Thoughtseize》 1《仕組まれた爆薬/Engineered Explosives》 2《精神を刻む者、ジェイス/Jace, the Mind Sculptor》 Sideboard 1《セファリッドの女帝ラワン/Llawan, Cephalid Empress》 3《根絶/Extirpate》 1《恐ろしい死/Ghastly Demise》 1《喉首狙い/Go for the Throat》 1《クローサの掌握/Krosan Grip》 1《呪文貫き/Spell Pierce》 1《壌土からの生命/Life from the Loam》 2《非業の死/Perish》 1《思考囲い/Thoughtseize》 2《破滅的な行為/Pernicious Deed》 1《虚無の呪文爆弾/Nihil Spellbomb》 準優勝：URG Tempo‐Punishing Cascade 使用者：Sartini Roberto Main Deck 1《森/Forest》 4《燃え柳の木立ち/Grove of the Burnwillows》 1《島/Island》 4《霧深い雨林/Misty Rainforest》 1《山/Mountain》 1《沸騰する小湖/Scalding Tarn》 1《Taiga》 3《Tropical Island》 3《Volcanic Island》 2《樹木茂る山麓/Wooded Foothills》 2《血編み髪のエルフ/Bloodbraid Elf》 4《貴族の教主/Noble Hierarch》 3《呪文づまりのスプライト/Spellstutter Sprite》 4《タルモゴイフ/Tarmogoyf》 3《ヴェンディリオン三人衆/Vendilion Clique》 4《渦まく知識/Brainstorm》 4《Force of Will》 3《稲妻/Lightning Bolt》 4《罰する火/Punishing Fire》 3《祖先の幻視/Ancestral Vision》 3《思案/Ponder》 2《精神を刻む者、ジェイス/Jace, the Mind Sculptor》 Sideboard 2《クローサの掌握/Krosan Grip》 2《紅蓮破/Pyroblast》 1《赤霊破/Red Elemental Blast》 2《呪文貫き/Spell Pierce》 3《水没/Submerge》 2《外科的摘出/Surgical Extraction》 1《真髄の針/Pithing Needle》 2《大祖始の遺産/Relic of Progenitus》 第3位：UW Control‐CounterTop ThopterSword +r 使用者：Milillo Andrea Main Deck 1《アカデミーの廃墟/Academy Ruins》 1《乾燥台地/Arid Mesa》 4《溢れかえる岸辺/Flooded Strand》 3《島/Island》 1《山/Mountain》 2《平地/Plains》 4《沸騰する小湖/Scalding Tarn》 1《教議会の座席/Seat of the Synod》 1《Tropical Island》 3《Tundra》 1《Volcanic Island》 1《粗石の魔道士/Trinket Mage》 4《渦まく知識/Brainstorm》 1《対抗呪文/Counterspell》 2《悟りの教示者/Enlightened Tutor》 4《Force of Will》 1《流刑への道/Path to Exile》 4《剣を鍬に/Swords to Plowshares》 1《炎渦竜巻/Firespout》 2《神の怒り/Wrath of God》 4《相殺/Counterbalance》 1《仕組まれた疫病/Engineered Plague》 1《Moat》 1《忘却の輪/Oblivion Ring》 1《罠の橋/Ensnaring Bridge》 4《師範の占い独楽/Sensei s Divining Top》 1《弱者の剣/Sword of the Meek》 3《飛行機械の鋳造所/Thopter Foundry》 3《精神を刻む者、ジェイス/Jace, the Mind Sculptor》 Sideboard 3《石鍛冶の神秘家/Stoneforge Mystic》 2《紅蓮破/Pyroblast》 1《赤霊破/Red Elemental Blast》 2《血染めの月/Blood Moon》 4《虚空の力線/Leyline of the Void》 1《殴打頭蓋/Batterskull》 1《大祖始の遺産/Relic of Progenitus》 1《トーモッドの墓所/Tormod s Crypt》 第4位：SpiralTide 使用者：Fedeli Lorenzo Main Deck 2《溢れかえる岸辺/Flooded Strand》 12《島/Island》 1《霧深い雨林/Misty Rainforest》 1《汚染された三角州/Polluted Delta》 2《沸騰する小湖/Scalding Tarn》 4《渦まく知識/Brainstorm》 3《狡猾な願い/Cunning Wish》 2《狼狽の嵐/Flusterstorm》 4《Force of Will》 4《High Tide》 1《直観/Intuition》 1《瞑想/Meditate》 1《否定の契約/Pact of Negation》 4《転換/Turnabout》 4《商人の巻物/Merchant Scroll》 2《思案/Ponder》 4《定業/Preordain》 4《時のらせん/Time Spiral》 2《Candelabra of Tawnos》 2《師範の占い独楽/Sensei s Divining Top》 Sideboard 1《青の太陽の頂点/Blue Sun s Zenith》 1《思考停止/Brain Freeze》 1《ハーキルの召還術/Hurkyl s Recall》 2《瞑想/Meditate》 1《精神壊しの罠/Mindbreak Trap》 1《否定の契約/Pact of Negation》 1《貪欲な罠/Ravenous Trap》 1《再建/Rebuild》 1《断絶/Snap》 3《呪文貫き/Spell Pierce》 2《拭い捨て/Wipe Away》 第5位：Maverick 使用者：Giarola Andrea Main Deck 1《ドライアドの東屋/Dryad Arbor》 2《森/Forest》 1《ガイアの揺籃の地/Gaea s Cradle》 2《地平線の梢/Horizon Canopy》 1《Karakas》 1《霧深い雨林/Misty Rainforest》 1《平地/Plains》 4《Savannah》 4《不毛の大地/Wasteland》 4《吹きさらしの荒野/Windswept Heath》 3《エイヴンの思考検閲者/Aven Mindcensor》 1《極楽鳥/Birds of Paradise》 4《聖遺の騎士/Knight of the Reliquary》 4《ルーンの母/Mother of Runes》 3《貴族の教主/Noble Hierarch》 2《クァーサルの群れ魔道士/Qasali Pridemage》 1《漁る軟泥/Scavenging Ooze》 2《スクリブのレインジャー/Scryb Ranger》 3《石鍛冶の神秘家/Stoneforge Mystic》 1《最後のトロール、スラーン/Thrun, the Last Troll》 4《剣を鍬に/Swords to Plowshares》 4《緑の太陽の頂点/Green Sun s Zenith》 2《森の知恵/Sylvan Library》 1《饗宴と飢餓の剣/Sword of Feast and Famine》 1《火と氷の剣/Sword of Fire and Ice》 1《梅澤の十手/Umezawa s Jitte》 2《遍歴の騎士、エルズペス/Elspeth, Knight-Errant》 Sideboard 3《エーテル宣誓会の法学者/Ethersworn Canonist》 3《フェアリーの忌み者/Faerie Macabre》 1《ガドック・ティーグ/Gaddock Teeg》 2《ファイレクシアの変形者/Phyrexian Metamorph》 1《クァーサルの群れ魔道士/Qasali Pridemage》 2《クローサの掌握/Krosan Grip》 3《窒息/Choke》 第6位：URG Tempo‐Canadian 使用者：Blasi Matteo Main Deck 2《溢れかえる岸辺/Flooded Strand》 4《Tropical Island》 4《Volcanic Island》 4《不毛の大地/Wasteland》 4《樹木茂る山麓/Wooded Foothills》 4《秘密を掘り下げる者/Delver of Secrets》 3《敏捷なマングース/Nimble Mongoose》 4《タルモゴイフ/Tarmogoyf》 4《渦まく知識/Brainstorm》 4《目くらまし/Daze》 2《四肢切断/Dismember》 4《Force of Will》 4《稲妻/Lightning Bolt》 3《呪文嵌め/Spell Snare》 4《もみ消し/Stifle》 4《思案/Ponder》 2《火+氷/Fire+Ice》 Sideboard 2《クローサの掌握/Krosan Grip》 2《紅蓮破/Pyroblast》 1《赤霊破/Red Elemental Blast》 3《呪文貫き/Spell Pierce》 3《水没/Submerge》 2《外科的摘出/Surgical Extraction》 2《精神支配/Mind Harness》 第7位：URG Tempo‐Order 使用者：Scalchi Massimo Main Deck 1《ドライアドの東屋/Dryad Arbor》 1《森/Forest》 1《島/Island》 4《霧深い雨林/Misty Rainforest》 1《山/Mountain》 1《沸騰する小湖/Scalding Tarn》 1《Taiga》 4《Tropical Island》 2《Volcanic Island》 3《樹木茂る山麓/Wooded Foothills》 2《渋面の溶岩使い/Grim Lavamancer》 4《貴族の教主/Noble Hierarch》 1《大祖始/Progenitus》 1《漁る軟泥/Scavenging Ooze》 4《タルモゴイフ/Tarmogoyf》 3《ヴェンディリオン三人衆/Vendilion Clique》 4《渦まく知識/Brainstorm》 3《目くらまし/Daze》 4《Force of Will》 4《稲妻/Lightning Bolt》 2《呪文貫き/Spell Pierce》 3《緑の太陽の頂点/Green Sun s Zenith》 4《自然の秩序/Natural Order》 1《森の知恵/Sylvan Library》 2《火+氷/Fire+Ice》 Sideboard 2《月の大魔術師/Magus of the Moon》 1《古えの遺恨/Ancient Grudge》 2《方向転換/Divert》 1《クローサの掌握/Krosan Grip》 2《赤霊破/Red Elemental Blast》 2《水没/Submerge》 1《外科的摘出/Surgical Extraction》 2《大祖始の遺産/Relic of Progenitus》 2《精神を刻む者、ジェイス/Jace, the Mind Sculptor》 第8位：URG Tempo‐Canadian 使用者：Moyschewitz Fabian Main Deck 2《溢れかえる岸辺/Flooded Strand》 4《Tropical Island》 4《Volcanic Island》 4《不毛の大地/Wasteland》 4《樹木茂る山麓/Wooded Foothills》 4《敏捷なマングース/Nimble Mongoose》 4《タルモゴイフ/Tarmogoyf》 1《ヴェンディリオン三人衆/Vendilion Clique》 4《渦まく知識/Brainstorm》 4《目くらまし/Daze》 2《四肢切断/Dismember》 4《Force of Will》 4《稲妻/Lightning Bolt》 4《呪文嵌め/Spell Snare》 4《もみ消し/Stifle》 4《思案/Ponder》 3《火+氷/Fire+Ice》 Sideboard 1《クローサの掌握/Krosan Grip》 2《赤霊破/Red Elemental Blast》 3《呪文貫き/Spell Pierce》 3《水没/Submerge》 1《紅蓮地獄/Pyroclasm》 2《精神支配/Mind Harness》 3《トーモッドの墓所/Tormod s Crypt》

• elvis @Wiki - Nichols 1

  https://w.atwiki.jp/elvis/pages/1413.html

  Handbook of Neurosurgery Mark S. GreenbergNicolas, M.D. ArredondoEdward A. M., M.D. DuckworthTann A., M.D. Nichols Indian Larry Chopper Shaman Dave NicholsAndrea DesmedtMichael Lichter Great Gardens For Kids (Hamlyn Gardening S.) Clive NicholsClare Matthews Art of Plant and Garden Photography Clive Nichols Chilton's Repair and Tune-Up Guide Bmw 1970-82 1600, 2000, 2002, 2002Tii, 2500, 2800, 2800Cs, Bavaria, 3000Cs, 3.0Cs, 3.0S, 3.0Si, 320I, 528E, 528I, (Chilton's Repair Manual (Model Specific)) Chilton Book CompanyRichard J. RiveleDean F. Morgantini The New York Times Guide to the Best 1,000 Movies Ever Made (Film Critics of the New York Times) New York Times CompanyPeter M. NicholsA. O. Scott Linguistic Diversity in Space and Time Johanna Nichols Occupancy Estimation And Modeling Inferring Patterns And Dynamics of Species Occurrence James D. NicholsJ. Andrew RoyleKenneth H. PollockLarissa L. BaileyJames E. HinesDarryl I. Mackenzie Soap for Pediatrics (Soap) Michael A. PoliskyBreck Nichols Potatoes Annie NicholsPeter Myers Leading a Support Group A Practical Guide Keith NicholsJohn Jenkinson The Work of the Deacon Deaconess. (Works (Judson)) Harold Nichols Paint Shop Pro X for Photographers Ken MccahonRobin Nichols Critical Heart Disease In Infants And Children Ross M., M.D. UngerleiderPhilip J., M.D. SpevakWilliam J., M.D. GreeleyDuke E., M.D. CameronDavid G. Nichols The Dog's Children Anishinaabe Texts Told by Angeline Williams (Publications of the Algonquian Text Society) John Nichols BloomfieldLeonard BloomfieldJohn D. Nichols Developing Intercultural Competence in Practice (Languages for Intercultural Communication and Education, 1) Michael ByramAdam NicholsDavid Stevens Ferrari Berlinetta Boxer Mel Nichols The Other Car Workers Work, Organisation and Technology in the Maritime Car Carrier Industry Erol KahveciTheo Nichols Clouser's Flies Tying And Fishing the Fly Patterns of Bob Clouser Bob ClouserJay Nichols Statistical Parametric Mapping The Analysis of Functional Brain Images Karl J. FristonJohn AshburnerStefan KiebelThomas NicholsWilliam Penny Chilton's Chrysler Full-Size Vans 1989-98 Repair Manual (Chilton's Total Car Care Repair Manual) Chilton Book CompanyChiltonThe Nichols/Chilton? Patterns of Work in the Post-Fordist Era Fordism And Post-Fordism (Elgar Mini) Huw Beynon?Theo Nichols Dead and Alive (Dean Koontz's Frankenstein) Dean Koontz?Leigh Nichols?Ed Gorman? Introduction to the Reading of Hegel Lectures on the Phenomenology of Spirit (Agora Paperback Editions) Alexandre Kojève?Allan Bloom?James H. Nichols? Chilton's Pontiac Firebird 1982-94 All U.S. and Canadian Models (Chilton Model Specific Automotive Repair Manuals) NicholsChilton Designs and Patterns for Embroiderers and Craftsmen 512 Motifs from the Wm. Briggs and Company Ltd. Wm. Briggs and Company?Marion Nichols? The Original Wild Ones Tales of the Boozefighters Motorcycle Club Est. 1946 Dave NicholsBill Hayes? Mcdonald's Blood Flow In Arteries Theoretical, Experimental And Clinical Principles (Hodder Arnold Publication) Wilmer W. Nichols?Michael F. O Rourke? Victory On The Potomac The Goldwater-nichols Act Unifies The Pentagon (Texas a M University Military History Series) James R., III Locher? Church and the Free Market Dilemmas in Church Welfare Agencies Maureen Postma?Alan Nichols? Top Chops Master Chopper Builders Billy LaneDave NicholsMichael Lichter Aluminum by Design Sarah C. Nichols?Elisabeth R. Agro?Elizabeth Teller?Paola Antonelli?Dennis P. Doordan?Robert Friedel?Penny Sparke?Craig Vogel? Movies and Methods An Anthology (Movies Methods) Bill Nichols? Filmmaking For Teens Pulling Off Your Shorts Troy Lanier?Clay Nichols? Why Johnny Can't Brand Rediscovering the Lost Art of the Big Idea Bill Schley?Carl, Jr. Nichols? Thomas' Railway Word Book (Pictureback) Paul Nichols? The Panther and the Hind A Theological History of Anglicanism Aidan Nichols? Chilton's Repair and Tune Up Guide Dodge Charger 1967-1970 The Fordism of Ford And Modern Management Fordism And Post-Fordism (Elgar Mini Series; Elgar Reference Series) Huw Beynon?Theo Nichols The City As an Entertainment Machine (Research in Urban Policy) Terry Nichols Clark? Chemistry AS (Collins Advanced Modular Sciences) Lyn Nichols?Mary Ratcliffe? Chemistry A2 (Collins Advanced Modular Sciences) Lyn Nichols?Mary Ratcliffe?Peter Harwood?Mike Hughes? The Architecture and Planning of Milton Keynes Derek Walker? Thomas Reid's Theory of Perception Ryan Nichols? Pthreads Programming (A Nutshell Handbook) Bradford Nichols?Dick Buttlar?Jacqueline Proulx Farrell? Chilton's Repair Manual Dodge Plymouth Vans 1967-88 (Chilton's Repair Manual (Model Specific)) Chilton Book CompanyChilton s Automotives Editorial? Phuket (Island) Fiona Nichols? Write It! A Guide for Research Mla Version/With Teacher's Guide Elizabeth Bankhead?Janet Nichols?Dawn Vaughn? The High Priest of Hallelujah Robert Nichols? Holt Algebra With Trigonometry Nichols The Last Beautiful Days of Autumn John Nichols? Francis The Knight of Assisi Terri Vorndran Nichols? Professional Meeting Management Barbara Nichols? Confessions of a Name Dropper Les Nichols? Economic Effects of Generic Promotion Programs for Agriculture Exports Nichols Guide to Reference Materials for School Library Media Centers (Guide to Reference Materials for School Media Centers) Barbara Ripp Safford?Margaret Irby Nichols? Katzen Beverly Nichols? Jung y El Tarot Sallie Nichols? Jedes Kind braucht das Gebet einer Mutter Fern Nichols?Janet Kobobel Grant? Famous People in History (Famous People in History) Nicolas Soames?Trevor Nichols?Katinka Wolf? Montauk 5. Die Schwarze Sonne Preston B. Nichols?Peter Moon? El Ano Del Tigre (National Geographic) Michael Nichols?Geoffrey C. Ward? Das Montauk-Projekt 1. Experimente mit der Zeit Preston B. Nichols?Peter Moon? Unsere Medien? Demokratie und Medienkonzerne in den USA Robert W. McChesney?John Nichols? La Representacion de la Realidad / Representing Reality Cuestiones y Conceptos Sobre el Documental / Issues and Concepts in Documentary (Paidos Comunicacion Cine / Paidos Film Communication) Bill Nichols? Darwin Contra Fitzroy Peter Nichols? Golden Hour Manual De Urgencias En Pediatria David G. Nichols Das Montauk-Projekt 2. Rueckkehr nach Montauk. Abenteuer mit der Synchronizitaet Preston B. Nichols?Peter Moon? Temporary Title 19991103 I.C. Nichols? Tropical Reef Fishes (Periplus Tropical Nature Guide) Gerald R. Allen?Roger Steene?Rudie Kuiter?Mark Strickland?Burt Jones?Maurine Shimlock?Fiona Nichols?Charles Anderson?Ashley Boyd?Matthew Hedrick? Marine Life of the Pacific and Indian Oceans (Periplus Nature Guides) Gerald Allen?Fiona Nichols?Michael Stachels?Roger Steene?Rudie Kuiter?Mark Strickland?Burt Jones?Maurine Shimlock? Famous People in History (Famous People in History) Nicolas Soames?Trevor Nichols?Katinka Wolf? An American Child Supreme The Education of a Liberation Ecologist (Credo Series) John Treadwell Nichols? Basic Techniques of Psychodynamic Psychotherapy (The Master Work) Michael Nichols?Thomas J. Paolino? Changing Demographics Fund Raising in the 1990s Using Demographics and Psychographics to Improve Your Fund Raising Efforts Judith E. Nichols? Restoration And Management Of Lakes And Reservoirs E. B. Welch?Spencer A. Peterson?Stanley A. Nichols?G. Dennis Cooke? The Soul As Healer Lessons in Affirmation, Visualization, and Inner Power L. Joseph Nichols? Inventing Software The Rise of "Computer-Related" Patents Kenneth Nichols? Francisco Vasquez De Coronado The Search for Cities of Gold (Proud Heritage-the Hispanic Library) Carrie Nichols Cantor? English Pleasure Gardens Rose Standish Nichols?Judith B. Tankard? For Your Garden Pots and Containers (For Your Garden) Warren Schultz?Clive Nichols Stop Arguing With Your Kids How to Win the Battle of Wills by Making Your Children Feel Heard Michael P. Nichols? Fielding's Asia's Top Dive Sites The Best Diving in Indonesia, Malaysia, the Philippines and Thailand (Periplus Editions) Fiona Nichols?Heneage Mitchell?John Williams?Kal Muller?Michael Stachels? Backtracking By Foot, Canoe, and Subaru Along the Lewis and Clark Trail (Backtracking) Benjamin Long?Karen Nichols? Myth, Magic, and Mystery One Hundred Years of American Children's Book Illustration Michael Patrick Hearn?Trinkett Clark?H. Nichols B. Clark?Michael, Patrick Hearn? A Caribbean Dozen Poems from Caribbean Poets Grace Nichols?John Agard?Cathie Felstead? American Sportscars Richard Nichols? Treating People in Families An Integrative Framework (Guilford Family Therapy Series) William C. Nichols? The Lost Art of Listening How Learning to Listen Can Improve Relationships (The Guilford Family Therapy Series) Michael P. Nichols? Lessons from Abroad Fresh Ideas from Fund-Raising Experts in the United Kingdom Judith E. Nichols? Collaborative Therapy With Multi-Stressed Families From Old Problems to New Futures (Guilford Family Therapy Series) William C. Madsen?Michael P. Nichols? Beyond Uhura Star Trek and Other Memories Nichelle Nichols? Waikiki Walks (Hawaii Pocket Guides) Katherine Nichols? Mary Shelley Frankenstein's Creator First Science Fiction Writer (Barnard Biography Series (Berkeley, Calif.).) Joan Kane Nichols? Recent Advances and Issues in Oceanography (Oryx Frontiers of Science Series) C. Reid Nichols?David Larsen Porter?Robert G. Williams? Smell It Like It Is Tales from the Garlic Capital of the World K. M. Nichols? Leaning over the Edge Poems Jeanne M. Nichols? Finding Out The ABCs of Same-Sex Relations Homer Spencer?Sue Nichols Spencer? The Writer in the Garden Selections from the Work of 44 Authors Gertrude Jekyll?Andrew Marvell?Henry Mitchell?Nancy Mitford?Beverley Nichols?Eleanor Perenyi?V. Sackville-West?Edith Wharton?E. B. White?Louise Beebe Wilder? Real Men Belch Downwind Modern Etiquette for the Primitive Man Mike Nichols? Women Are from Pluto Men Are from Uranus The Big Bang and Other Premature Theories of Love Mike Nichols? Jews for Buchanan Did You Hear the One About the Theft of the American Presidency? John Nichols? Dick The Man Who Is President John Nichols? No Hickory No Dickory No Dock Caribbean Nursery Rhymes John Agard?Grace Nichols?Cynthia Jabar? Growing from Good to Great Positioning Your Fund-Raising Efforts for Big Gains Judith E. Nichols? Global Demographics Fund Raising for a New World Judith E. Nichols? Van Richten's Arsenal (Ravenloft) Andrew Cermak?John W. Mangrum?Ryan Naylor?Chris Nichols?Andrew Wyatt? Tragedy And Farce How The American Media Sell Wars, Spin Elections, And Destroy Democracy John Nichols?Robert W. McChesney?Tom Tomorrow? The Story of the Charlotte Bobcats (The NBA a History of Hoops) John Nichols? Picture-Taking for Moms Dads Recipes for Great Pictures With Any Camera Ron Nichols? How to Take Great Pet Pictures Recipes for Outstanding Results With Any Camera Ron Nichols? Britton Francis Morgan Nichols? The Last Riders on Route 66 Chet Nichols? Victory on the Potomac The Goldwater-Nichols Act Unifies the Pentagon (Texas a M University Military History Series) Sam Nunn?James R., III Locher? The Nitpicker's Guide for Classic Trekkers (The Nitpickers Guide for Classic Trekkers) Phil Farrand?George Takei?Nichelle Nichols?Walter Koenig? The Best of Field and Stream 100 Years of Great Writing from America's Premier Sporting Magazine J. I. Merritt?Margaret G. Nichols? Lovely Like Jerusalem The Fulfillment of the Old Testament in Christ and the Church Aiden Nichols? Managing Curriculum And Assessment A Practitioner's Guide Sue Shidaker?Gene Johnson?Kevin Singer?Beverly Nichols? The Leisure Architecture of Wayne Mcallister Chris Nichols? Color of the Prism Thomas J. Nichols? Shadow Boxer A Crime Novel Featuring Billy Nichols (Wheeler Large Print Book Series) Eddie Muller? Tales Of A Drama Queen (Wheeler Large Print Book Series) Lee Nichols? The Sacred Cosmos Christian Faith and the Challenge of Naturalism (Christian Practice of Everyday Life) Terence L. Nichols? The Nitpicker's Guide for Classic Trekkers (The Nitpickers Guide for Classic Trekkers) Phil Farrand?George Takei?Nichelle Nichols?Walter Koenig? Ravenloft Gazetteer (Sword Sorcery) Andrew Cermak?John W. Mangrum?Chris Nichols?Andrew Wyatt? The Nitpicker's Guide for Classic Trekkers (The Nitpickers Guide for Classic Trekkers) Phil Farrand?George Takei?Nichelle Nichols?Walter Koenig? Second Chances Weta Nichols? Not a Sparrow Falls Linda Nichols?Joyce Bean? Not a Sparrow Falls Linda Nichols? Listen to the Wind Tim Nichols? You and Me Against the World Lisa A. Nichols? Successful Adoption A Guide for Christian Families Natalie Nichols Gillespie? No Place to Hide Facing Shame So We Can Find Self-Respect Michael P. Nichols? Islands of Experience Dean Nichols? A Poet's Sketch of His Biography Dean Nichols? Collision Course Susan Nichols Ferrara? Stop Arguing With Your Kids How to Win the Battle of Wills by Making Your Children Feel Heard Michael P. Nichols? Teaching Literacy In First Grade (Tools for Teaching Literacy) James Flood?Kelly Moore?Maria Nichols?Diane Lapp? Teaching Literacy In First Grade (Tools for Teaching Literacy) James Flood?Kelly Moore?Maria Nichols?Diane Lapp? Optimal Digestive Health A Complete Guide Trent W., M.D. Nichols?Nancy Faass? African American Culture Catherine Nichols? African American Culture (Discovering the Arts) Catherine Nichols? The Best of Brussels (Globetrotter Travel Best of Brussels) Fiona Nichols? The Rise And Rise of Richard B. Cheney Unlocking the Mysteries of the Most Powerful Vice President in American History John Nichols? Tragedy and Farce How the American Media Sell Wars, Spin Elections, And Destroy Democracy John Nichols?Robert W. McChesney?Tom Tomorrow? The Genius of Impeachment The Founders' Cure for Royalism John Nichols? The Business Guide An Outline of Business J. L. Nichols? Peace Is a Four-Letter Word Janet Nichols Lynch? Ellen Ochoa Reach for the Stars! (Defining Moments) Donna Latham?Michelle Nichols? Hand-me-down (Wheeler Large Print Book Series) Lee Nichols? Rehearsal for Reconstruction The Port Royal Experiment Willie Lee Nichols Rose? A Sailor's Yarns and Observations Dean Nichols? Two Cats for Puerto Rico Dean Nichols? The Copper Sands and Prince William Sound Dean Nichols? The N.P.M.W.A.R.A. The North Pacific Major World Air Route Area Dean Nichols? Dance of the Little People Michael F. Nichols? Time Taught Me to Fly Russell Nichols? Every Single Good Day A Family Keeps a Promise to a Loving Wife and Mother and Hopes to Help Others Who Face Alzheimer's Disease Max Nichols? Tithes The Extortion of the Body of Christ B. Ann Nichols? York's Journal William Nichols? The Success Code A Revolutionary Plan for Creating a Phenomenal Life! Brendan Nichols? The Tranquil Garden Kay Fairfax?Clive Nichols Quick and Healthy Vegetarian Dishes (Step-by-step) Annie Nichols Planting with Colour Penelope Hobhouse?Nori Pope?Sandra Pope?Clive Nichols Robert Lenkiewicz Keith Nichols Somerset Carnivals Roger Evans?Peter Nichols? The Loire Valley (Signpost Guides) Andrew Sanger?Fiona Nichols?Gillian Thomas?John Harrison? Drive Around Loire Valley Your Guide To Great Drives (Drive Around) Andrew Sanger?Fiona Nichols?Gillian Thomas?John Harrison? Potatoes From Mash to Fries Annie NicholsPeter Myers Paper Dolls of the 1960S, 1970S, and 1980s Identification Value Guide (Identification Values (Collector Books)) Carol Nichols? Potatoes Annie NicholsPeter Myers Healthy Vegetarian (Healthy Life (Southwater)) Annie Nichols A Prison of My Own Diane Nichols? In the Grove of the Druids The Druid Teachings of Ross Nichols Philip Carr-Gomm? Connecting With Kids Through Stories Using Narratives To Facilitate Attachment In Adopted Children Denise B. Lacher?Todd Nichols?Joanne C. May? Andalucia (Globetrotter Travel Guide) Fiona Nichols? Globetrotter Travel Guide Andalucia (Globetrotter Travel Packs) Fiona Nichols? The History of the Green Bay Packers (NFL Today) John Nichols? The 18th Division in the Great War G. H. F. Nichols? Last Letters of Jacopo Ortis and of Tombs (Hesperus Classics) Valerio Massimo?Ugo Foscolo?F. G. Nichols? Life of a Good-For-Nothing (Hesperus Classics) Joseph Von Eichendorff?F. G. Nichols? Thoughts and the Broom (Hesperus Classics) Edoardo Albinati?Giacomo Leopardi?J. G. Nichols? Prophecies (100 Pages) da Vinci Leonardo?J. G. Nichols? Loveless Love (Hesperus Classics) Luigi Pirandello?J. G. Nichols? New Life (Hesperus Classics) Dante Alighieri?J. G. Nichols? The Book of the Virgins (100 Pages) Gabriele D Annunzio?J. G. 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Silk Stalkings More Women Write of Murder Victoria Nichols?Susan Thompson? Ending Marriage, Keeping Faith A New Guide Through the Spiritual Journey of Divorce J. Randall Nichols? Color by Design Planting the Contemporary Garden Nori Pope?Sandra Pope?Clive NicholsPenelope Hobbhouse? Color in the Garden Planting With Color in the Contemporary Garden Penelope Hobhouse?Nori Pope?Sandra Pope?Clive Nichols Cider Making, Using Enjoying Sweet Hard Cider Annie Proulx?Lew Nichols? Heaven on Earth Capturing Jonathan Edwards's Vision of Living in Between Stephen J. Nichols? Reformation How a Monk and a Mallet Changed the World Stephen J. Nichols? It's the Media, Stupid (Open Media Pamphlet Series) Robert McChesney?John Nichols? Our Media, Not Theirs The Democratic Struggle Against Corporate Media (Open Media Series) Robert W. McChesney?John Nichols? The History of the Charlotte Sting (Women's Pro Basketball Today) John Nichols? The History of the Cleveland Rockers (Women's Pro Basketball Today) John Nichols? Arizona Cardinals (NFL Today) John Nichols? Baltimore Ravens (NFL Today) John Nichols? Buffalo Bills (NFL Today) John Nichols? Carolina Panthers (NFL Today) John Nichols? Chicago Bears (NFL Today) John Nichols? Cincinnati Bengals (NFL Today) John Nichols? Dallas Cowboys (NFL Today) John Nichols? Denver Broncos (NFL Today) John Nichols? Green Bay Packers (NFL Today) John Nichols?Michael E. Goodman? The History of the Atlanta Hawks (Pro Basketball Today) John Nichols? The History of the Charlotte Hornets (Pro Basketball Today) John Nichols? The History of the Cleveland Cavaliers (Pro Basketball Today) John Nichols? The History of the Los Angeles Lakers (Pro Basketball Today) John Nichols? The History of the Milwaukee Bucks (Pro Basketball Today) John Nichols? The History of the Minnesota Timberwolves (Pro Basketball Today) John Nichols? The History of the Arizona Diamondbacks (Baseball (Mankato, Minn.).) John Nichols? The History of the Baltimore Orioles (Baseball (Mankato, Minn.).) John Nichols? The History of the Florida Marlins (Baseball (Mankato, Minn.).) John Nichols? The History of the Tampa Bay Devil Rays (Baseball (Mankato, Minn.).) John Nichols? Toronto Maple Leafs (Stanley Cup Champions) John Nichols? The History of the Colorado Avalanche (Stanley Cup Champions) John Nichols? Philadelphia Flyers (Stanley Cup Champions) John Nichols? The History of the Baltimore Ravens (NFL Today) John Nichols? The History of the Buffalo Bills (NFL Today) John Nichols? Starting Small, Investing Smart What to Do With $5 to $5000 Donald R. Nichols? Developments in Pressure Vessel Technology Inspection and Testing R. W. Nichols? Index of Images in English Manuscripts from Chaucer to Henry VIII Bodleian Library Oxford (Bodleian Library Fascile) Ann Eljenholm Nichols?Kathleen L. Scott?Michael T. Orr? An Index of Images in Engish Manuscripts from the Time of Chaucer to Henry VII C. 1380-C. 1509 The Bodleian Library, Oxford Mss Dodsworth-Marshall (An Index of Images in English Manuscripts from Chaucer to Henry VIII, 2) Ann Eljenholm Nichols?M. T. Orr?L. Dennison?Kathleen L. Scott? Carbohydrate and Calorie Counter (Handbag) Anthea Nichols? The View from Eternity Vaughan Shelton? Neither Apes Nor Angels Full-Length History of Mankind Vaughan Shelton? The Amazing L.A. Environment A Handbook for Change Mary D. Nichols?Stanley Young?Thomas C. Whittemore? Webster's Dictionary V. Nichols? Patterns in Practice Selections from the Journal of Museum Education Susan K. Nichols? The Genesis of Your Genealogy Step-By-Step Instruction for the Beginner in Family History Elizabeth L., A.G. Nichols? Genealogy in the Computer Age Understanding Family Search Elizabeth L. Nichols? Genealogy in the Computer Age Understanding Family Search Elizabeth L. Nichols? 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The Plaza, First and Always William S. Worley?Miller Nichols? A Collection of All the Wills, Now Known to Be Extant, of the Kings and Queens of England, Princes and Princesses of Wales, and Every Branch of the With Explanatory Notes and a Glossary J. Nichols? Bev's Collectibles A Guide to Building Your Own Valuable Collections Beverly B. Nichols? The Larry Nichols Story Damage Control How to Get Caught With Your Pants Down and Still Get Elected President David M. Bresnahan? The Go-Betweens David Nichols? Let the Faces Speak Peter Nichols? Exotic Travel Destinations for Families Jennifer M. Nichols?Bill Nichols? Gender, Aging and the State Barbara Nichols?Peter Leonard? Gender, Aging and the State (Monographs School of Social Work, No 3) Barbara Nichols?Peter Leonard? 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Indo-European and the Indo-Europeans A Reconstruction and Historical Analysis of a Proto-Language and a Proto-Culture Thomas V. Gamkrelidze?Vjaceslav V. Ivanov?Werner Winter?Johanna Nichols

• マッチムーブ@ wiki - Combining Automatic and Supervised Tracking

  https://w.atwiki.jp/matchmove/pages/77.html

  Combining Automated and Supervised Tracking It can be helpful to combine automated tracking with some supervised trackers, especially when you would like to use particular features in the image to define the coordinate system, to help the automated tracker with problematic camera motions, to aid scene modeling, or to stabilize effects insertion at a particular location. Guide Trackers Guide Trackers are supervised trackers, added before automated tracking. Pre-existing trackers are automatically used by the automated tracking system to re-register frames as they move. With this guidance, the automated tracking system can accommodate more, or crazier, motions than it would normally expect. Unless the overall feature motion is very slow, you should always add multiple guide trackers distributed throughout the image, so that at any location in the image, the closest guide tracker has a similar motion. [The main exception if you have a jittery hand-held shot where, if it was stabilized, the image features actually move rather slowly, you can use only a single guide tracker.] Note guide trackers are rarely necessary, and are processed differently than in previous versions of SynthEyes. Supervised Trackers, After Automated Tracking You can easily add supervised trackers after running the automated tracker. Create the trackers from the Tracker panel, adjust the coordinate system settings as needed, then, on the Solver Panel, switch to Refine mode and hit Go! Converting Automatic Trackers to Supervised Trackers Suppose you want to take an automatically-generated tracker and modify it by hand. You may wish to improve it perhaps to extend it earlier or later in the shot, or to patch up a few frames where it gets off track. From the Tracking Control Panel , select the automatically-generated tracker(s) you want to work on, and unlock them. This converts them to supervised trackers and sets up a default search region for them. You can also use the To Golden button on the Feature Control Panel  to turn selected trackers from automatic to supervised without unlocking them (and without setting up a search region). Sometimes, you may wish to convert a number of automatic trackers to supervised, possibly add some additional trackers, and then get rid of all the other automatically-generated trackers, leaving you with a well-controlled group of supervised trackers. The Delete Leaden button on the Feature Control Panel  will delete all trackers that have not been converted to golden. You can also use the Combine trackers item on the Track Menu to combine a supervised tracker with an automatically-generated one, if they are tracking the same feature. The Track/Fine-tune Trackers menu item re-tracks supervised trackers, to improve accuracy on some imagery.

• katsuhiro @ ウィキ - HTTP

  https://w.atwiki.jp/katsuhiro/pages/26.html

  HTTPメソッド GET情報取得メソッド POST PUT DELETEリソース削除メソッド HTTPリクエスト ポストデータ HTMLのPOST指定のformから送信されるデータ JSPのrequestオブジェクトから下記のメソッドで情報を取得できるgetParameter getParameterValues リクエストボディのセットされて送信される クエリ情報 URLの末尾の"?"以降に「キー＝値」のセットで付加される簡易な情報 複数のセットがある場合は" "で連結される URLに直接指定するほか、HTMLのGET指定のformから送信されるデータ formのmethod属性が省略された場合もクエリ情報として送信される JSPのrequestオブジェクトから下記のメソッドで情報を取得できるgetParameter クエリ情報に特殊文字が含まれる場合は、あらかじめエンコードしておく必要がある（form経由の場合はエンコード不要） URLに使用可能な文字数を超えて送信できない(2,083文字)FireFoxの場合は制限が無いが、動作が遅くなる場合もあるらしい データがアドレス欄に露出してしまう ヘッダ情報 「名前： 値」形式 種類一般ヘッダ（要求／応答時双方で利用） エンティティヘッダ（コンテンツに関する情報） リクエスト（要求）ヘッダ（クライアントに関する情報） レスポンス（応答）ヘッダ（その他） JSPのrequestオブジェクトから下記のメソッドで情報を取得できるgetHeaderNames ただし、情報取得専用メソッドが存在するヘッダについてはそちらを使う ■ヘッダ例 種類 ヘッダ名 概要 一般 Cache-Control キャッシュルールを規定する Connection プロキシ（中間）サーバで削除すべきHTTPヘッダを指定 Date コンテンツ生成日時 Pragma キャッシングを利用するか（下位互換用のヘッダ） Transfer-Encoding コンテンツの転送エンコーディング方式 リクエスト Accept クライアント対応コンテンツの種類（優先順） Accept-Language クライアント対応言語（優先順） Authorization 認証情報 Cookie クライアントに保存されたクッキーデータを送信 Host 要求先ホスト名 If-Modified-Since 指定日時以降にコンテンツが更新されている場合にのみ、サーバはデータを送信 Proxy-Authorization プロキシサーバ用の認証情報 Range 要求リソース範囲 Referer リンク元URI User-Agent クライアントの種類 レスポンス ETag リソースを一意に特定するためのキー情報（コンテンツが更新されていないかどうかを特定する場合などに使用） Location クライアントに新しいURIに移動するように促す Server サーバの種類 Set-Cookie クライアントにクッキーを送信 WWW-Authenticate クライアントに認証を要求 エンティティ Content-Encoding コンテンツのエンコーディング方式 Content-Length コンテンツサイズ Content-Type コンテンツの種類 Expires コンテンツの有効期限 Last-Modified コンテンツの最終更新年月日 クッキー サーバがクライアントに対して自由に読み書きできるテキスト クッキーの有効期限負数をセットした場合、ブラウザの終了時に削除される ０をセットした場合、その場で削除される １以上をセットすると、その秒数分保持される クッキーのデメリットクライアント側でクッキーを受け入れないように設定することが可能 クライアント側でクッキーの改竄や削除が可能 実データがネットワーク上を流れてしまう クッキーの制約1つのホスト、ドメイン当たりの最大個数は20個（総数では300個以内） クッキー1つあたりの最大サイズは4096バイト セッション情報 長期間にわたって情報を保持するには不向き ユーザがブラウザを開いている間だけアプリケーション内で情報を受け渡しする場合にはクッキーより手軽でセキュアな仕組み sessionJSPの暗黙オブジェクトの１つ 下記のメソッドを使って読み書きするgetAttribute setAttribute @pageディレクティブのsession属性がfalseの場合は使えない sessionが不要の場合はsession属性をfalseにしておく（サーバリソースの節約） sessionを使うと… クライアントからサーバにリクエスト送信 サーバからのレスポンスにSet-Cookieヘッダの値としてセッションIDが付加される(JSESSIONID) クライアントからサーバに2回目以降のリクエスト送信時、Cookieヘッダの値として、受け取ったJSESSIONIDを付加して送る サーバをそのセッションIDに該当するセッションを使って処理をし、レスポンスを返す セッションの破棄方法明示的な破棄(session.invalidate()) 有効期限を設定する(session.setMaxInactiveInteval()) web.xmlにセッションの有効期限を設定する session-config session-timeout セッションの寿命明示的に破棄されるか有効期限を過ぎない限り、クライアントを閉じてもサーバ上で生き続ける ieHTTPHeaders http //www.blunck.info/iehttpheaders/iehttpheaders.html ⇒IE上でHTTPによる通信内容をトレースするツール

• elvis @Wiki - Sara Deseran

  https://w.atwiki.jp/elvis/pages/1618.html

  Picnics Delicious Recipes for Outdoor Entertaining Sara DeseranJonelle Weaver Sake A Modern Guide Beau TimkenSara DeseranScott Peterson Asian Vegetables From Long Beans to Lemongrass, a Simple Guide to Asian Produce, Plus over 50 Delicious, Easy Recipes Sara DeseranRichard Jung?

• オペラ対訳プロジェクト - Martin y Soler,Vicente/Una cosa rara/II-1

  https://w.atwiki.jp/oper/pages/3214.html

  ATTO SECONDO Scena 1 (Camera rustica.) LUBINO Andiam, caro Tita. TITA Andiam, Lubin mio. LUBINO A Lilla TITA A la Ghita LUBINO, TITA Comprare vogl io. TITA Un nastro LUBINO Un anello TITA Le fibbie LUBINO Il cappello LUBINO, TITA E il fiore più bello ch io possa trovar. Andiam pria ch il giorno più oscuro diventi. Oh, come contenti vogliamo cenar. Scena 2 (Entrano Lilla e Ghita) LILLA Lubin! GHITA Tita! LUBINO, TITA Che vuoi? LILLA Parti? GHITA Vai via? LUBINO, TITA Parto, e torno a momenti, o gioia mia. (Partono.) Scena 3 LILLA Cos è tal novità? GHITA Lascia che vadano; di cosa importantissima io ti deggio parlar. (Lascia si rimanere soli) Posso teco spiegarmi con plena libertà? LILLA Cioè? GHITA Senti, l Infante è di te innamorato, e se a me credi, la tua fortuna è fatta! LILLA Come? Mi prendi tu per qualche matta? GHITA Fai meco la smorfiosa? LILLA Fo quello che far deve onesta sposa. Non sai ch io amo il mio Lubino? GHITA Amalo. Tienti la fede tua, tienti il tuo core; in materia d amore, a un Prence non si dà né cor, né fede. LILLA Cosa dunque? GHITA Parole! LILLA Parole? GHITA Sì, parole. Con lui stesso parlai; questa catena, preziosissimo dono, da recarti ei mi diede, ed a me diede una borsa di doppie sol perch io te ne parli. LILLA Tienti la tua catena, e dì al tuo Prence che finisca una volta di così infastidirmi. Io non accetto doni, io Principi non voglio, amo Lubino. GHITA Non perdere sorella, un occasion sì bella! Almen, pensaci su; da te non chiedo se non che tu l accolga con un po di maniera, che finga, che lusinghi, che prometta finché siamo ben ricche. LILLA Ed ingannarlo perché dovrei così? GHITA Per castigarlo! LILLA Castigarlo perchè? GHITA Ti par picciol delitto tentar una ragazza appena sposa? e tentarla con cosa? Con quattrini! LILLA Ma tu, giovane ancora, e contadina, dove apprendesti mai cose sì belle? GHITA Tutto quello ch io parlo ogni donna lo sa senza impararlo. Colla flemma che tu vedi, con quest aria di bontà, saprei far quel che non credi e che fan nella città. Fra saprei la spasimante senza mai sentir amore e di pietra avendo il core, dimostrare altrui pietà. Saprei passare dal pianto al riso, saprei cangiare l aria del viso, all improvviso mutar colore, far che mi palpiti con arte il core, tutto promettere, conceder poco, dir no con grazia, dir sì per gioco, ed altre simile bagatelluccie, con quell eccetera ch io non vo dir. Femmine amabili non vi lagnate, in questo secolo voi siete nate; per ben dagli uomini farvi sentir. (Parte.) LILLA Femmine amabili non vi fidate, in ogni secolo voi siete nate; per ben dagli uomini farvi istruir. (Parte.) Scena 4 (Corrado solo, poi la Ghita.) CORRADO (Entrando) Io spero che la Ghita abbia dato l assalto alla fortezza; Io non son senza speme Or che ceda la Lilla a me sol preme. Ceda pur a l Infante; purché a sentir l amante ella s avvezzi che la prima caduta è sempre la difficile Vien Ghitta Ebben, che c è di nuovo? GHITA Io non ho visto femmina più ostinata di costei. CORRADO Ma la catena? GHITA È nulla. CORRADO E l oro? GHITA Nulla affatto. CORRADO Guarda, figliuola mia, che cervel matto! Tu però non stancarti, Ghita mia, di adoprarti. Donna sollecitata è mezzo guadagnata; parla, prega, prometti, incoraggisci, istruisci, lusinga GHITA Ma signore, questa vostra premura questo foco ci mancherebbe poco ch io credessi voi stesso di Lilla innamorato. CORRADO Ah, che ti pare? Amare un uom par mio? Corrado amare? Osserva questo crine, ch è fatto omai d argento, il curvo collo osserva, la voce e l andamento che indebolisce e snerva il peso dell età. Fui già d amor seguace or son d amor nemico, amo la bella pace e la tranquillità. Conosco i danni miei, sì pazzo non sarei di por mai speme in femmina, ch un vecchio amar non sa. (ride) Malandrina, tu ridesti, e lo so che tu sapresti diventar d un orso amante per contante o per bontà. (Ghita sola.) GHITA Questi signori in somma credon coi lor quattrini di comprar tutto il mondo (Parte.) Scena 5 (Atrio terreno. La Regina e il Principe col suo seguito.) REGINA E perché non veggio l usata gioia rider nel volto dell amato figlio? PRINCIPE Se voi mel permettete, questa sera vorrei di Lilla e Ghita veder anch io le nozze. REGINA Andate, o figlio, tra le gioie innocenti di quelle buone genti ritornerà la calma al vostro seno. (Viene il Podestà coi villani, che portano doni del paese alla Regina.) PODESTÀ (Fra sè) Tornerà, tornerà, lo spero, almeno. REGINA Ma qual di cetre e di viole io sento suonar per l aria pastoral concento? CORO Di campagne, di montagne, di spelonche, di pendici, innocenti e abitatrici vengon ora al regio piè. Vengon qui per adorarti, per recarti un picciol dono, scorte sono da l amore, dal candore di lor fè. PODESTÀ Perdono, alma Regina, all ardir di costoro, al loro affetto, all ardente lor brama invan m opposi, invano contrastai; dalla campagna fero appena ritorno al rustico soggiorno che chieser di veder la lor Regina, ed insieme col core offrirle tutti, poi che meglio non han, fior, latte e frutti. REGINA Oh care, i doni accetto, son grata al vostro affetto; e perché sia la compiacenza mia nota alla villa lo rechi il buon Lisargo a Ghita e a Lilla. PODESTÀ, CORRADO Che generosità! REGINA Voi gite, o figlio, ed insieme con essi passate pur la notte in festa e in gioco. La virtù va onorata in ogni loco. CORO Di campagne, di montagne, ecc. (Partono, meno la Regina) Scena 6 (La Regina sola.) REGINA Chi mai diria che in questi rozzi tetti, e sotto queste pastorali spoglie tanta virtù, tanta onestà s accoglie! O felici abituri, o piagge amiche, di riposo e di pace alberghi veri. Quanto mai volentieri la vostr aura io respiro, e se il destino m avesse dato in sorte di vivere a me stessa, ingrato e vile mi fora ogni altro dono, e con voi cengerei la reggia e il trono. Ah, perché formar non lice ad ogni alma il suo destino, ch io per voi vivrei felice tra i piacer di libertà? E tra i semplici diletti dei pastori dell armento troverebbe il cor contento quel riposo ch or non ha. Ah, non erano le selve destinate per le belve! Là si trova, là si prova la mortal felicità. (Parte.) Scena 7 (Entrano il Principe e Corrado, ambedue con lunghi tabarri) PRINCIPE E possibil sarà che una villana resista ai desir miei, resista a tanti allettamenti di promesse, e doni? Ah, tu ben sai ch io doman partir debbo. Or che mi resta da far in una notte? CORRADO In una notte si fan le belle cose PRINCIPE Mi raccomando a te. CORRADO Dal canto mio, il possibil farò PRINCIPE Ma che dirian di me se mi servissi d un mezzo così vile? CORRADO Un amoroso inganno colpa non è Andiam un poco alle porte di Lilla; ivi Signore, qualche cosa accadrà. Sempre fui persuaso che l uom si debba porre in mano al caso. (Parte.) PRINCIPE Oh Ciel che duro passo è mai questo per me! Sentir mi pare una voce nel cor, che mi rinfacci la debolezza mia. Dunque un Infante, un figlio d Isabella, da una vile serrana ora è costretto a mendicare affetto, e a mendicarlo, ahimè!, con un inganno! A qual varco mi traggi, amor tiranno. Seguir degg io chi fugge? Chi mi disprezza amar? Saprò scacciar dal petto il mio funesto affetto, saprò aborrir la perfida che ride al mio penar. Saprò, ma intanto il core langue nel suo dolore e della mia speranza comincio a dubitar. Stelle ingrate, avversi Dei! Che volete ancor da me? Son confuso, son oppresso, non intendo più me stesso. A miei mali una speranza pur m avanza ancora in te. Scena 8 (Strada, da un lato la casa di Tita, dall altro alberi. Lilla sola, poi Ghita sulla porta, senza essere veduta.) LILLA La notte s avvicina, e ancor non veggio il mio sposo venir. Lubino! In questo giorno così poco tu brami di star con lei che t ama e tu tant ami? GHITA (fra sè) Che diavolo vuol dir che non vien Tita? Sta a veder che il birbante avrà trovata una novella amante. LILLA (Sospira.) Ahimè! GHITA (Non veduta dalla Lilla.) Questa è la Lilla La conosco ai sospiri. Lilla, che fai qui sola? LILLA Mi diverto. GHITA Ma so che meglio si divertiria se avesse Lubinetto in compagnia. LILLA Sì, sì, lasciam gli scherzi. Or che ne dici di questo lor tardar? (Si vedono in distanza alcuni pastori.) GHITA Infatti vedi tornar dal campo alcuni pastorelli, chieggiam un po se nuova hanno di quelli. LILLA, GHITA Villanelle che volgete lieto il passo al caro tetto, per pietà non mel tacete se vedeste il mio diletto, ahi, ahi, prima d andar via ahi, che pena, che dolor! Brunetto/vermiglio è il suo viso è nero/biondo il capel, e un vago sorriso lo rende più bel. Ah, tutte sen vanno, risposta non ho! Invidia n avranno di cosa io lo so. Scena 9 (Entrano il Principe e Corrado. E notte scura) PRINCIPE Eccola; al buio ancora riconosce il mio core il suo tesoro. Avviciniamci a lei. Non ammettono indugi i voti miei. CORRADO Lasciate fare a me! LILLA Ghita mia, ritiriamci, la notte si fa scura. GHITA E di cosa hai paura? LILLA Che so io? Con questo tuo bizzarro Principino io temo sempre d inquietar Lubino. CORRADO (sottovoce) Ha seco la cognata. PRINCIPE (sottovoce) Non serve, è nostra amica (Alterando la voce e nascondendosi col mantello) Lilla! CORRADO (Corrado fa lo stesso.) Ghita! LILLA Questo mi par Lubino. GHITA E questo Tita. CORRADO (Fra sè) Secondiamo l equivoco. GHITA (Piano alla Lilla.) Son essi senza fallo. Sposo mio! LILLA Mio Lubin! GHITA Parla! LILLA Non ti nascondere! GHITA, LILLA Ah tu segui, furbetto, a non rispondere! Dammi la cara mano, abbracciami, mio cor, tu se il mio dolce amor, non mi rispondi? PRINCIPE, CORRADO Son/È de begli occhi tuoi il fido adorator, un misero che muor se nol secondi. LILLA, GHITA Cieli! Quest è l Infante /Corrado! PRINCIPE Non mi fuggir mio bene. PRINCIPE, CORRADO Conforto alle mie/sue pene io/ei spero/a sol da te. LILLA Ah, se Lubino or viene! GHITA Ah, se mai Tita viene! LILLA, GHITA Che mai sarà di me? (Entrano Lubino e Tita) TITA Mi par di sentir gente. LUBINO Lilla! TITA Ghita! PRINCIPE, CORRADO, LILLA, GHITA Gli sposi, oh Dei! (Le due spose lasciano il Principe e Corrado, e s accostano ai loro sposi.) LILLA, GHITA Son qui ben mio. LUBINO, TITA Qui sei? E teco ancor chi v è? LILLA, GHITA Son questi contadini, che tornan dal lavoro. (Il Principe e Corrado si allontanano.) LUBINO, TITA E a voi così vicini? Sì uniti a voi perchè? Barbare gelosie, la pure gioie mie cessate di turbar. PRINCIPE, CORRADO (Stanno di dietro) (Fra loro) Mettamci qui in disparte e stiamo ad osservar. LILLA, GHITA Sai che te solo adoro, di me non dubitar. PRINCIPE, CORRADO Ah, nel momento stesso in cui sperai/sperò ristoro per sempre il mio/suo tesoro io vedomi/vedesi involar LUBINO, TITA Ah, se m inganna Lilla/Ghita, l idolo del cor mio! Di chi si deve, o Dio!, quest anima fidar? LILLA, GHITA Ah, s io Lubino/se il mio Tita inganno l idolo del cor mio! Di chi deve o Dio un anima fidar? (Partano tutti, meno il Principe.) Scena 10 PRINCIPE Di qual rigido marmo ha dunque il core, questa barbara tigre in volto umano? Quanto finora invano e promesse e lusinghe e querele e sospiri, infelice versai! Quale strade intentate, o Dio!, lasciai! Potea per una ingrata avvilirmi di più? Fuggirmi, odiarmi, rifiutarmi, schernirmi! Ah, ch io dovrei, abborrire quell empia, e di me stesso vergognarmi con me per tale eccesso. Perchè farla, eterni Dei, tanto bella agli occhi miei? O perchè non farla ancor che capace sia d amor! Abborrir vorrei l ingrata nè mi sento odio sì forte. Ma una rea che mi da morte è la Dea di questo cor. ATTO SECONDO Scena 1 (Camera rustica.) LUBINO Andiam, caro Tita. TITA Andiam, Lubin mio. LUBINO A Lilla TITA A la Ghita LUBINO, TITA Comprare vogl io. TITA Un nastro LUBINO Un anello TITA Le fibbie LUBINO Il cappello LUBINO, TITA E il fiore più bello ch io possa trovar. Andiam pria ch il giorno più oscuro diventi. Oh, come contenti vogliamo cenar. Scena 2 (Entrano Lilla e Ghita) LILLA Lubin! GHITA Tita! LUBINO, TITA Che vuoi? LILLA Parti? GHITA Vai via? LUBINO, TITA Parto, e torno a momenti, o gioia mia. (Partono.) Scena 3 LILLA Cos è tal novità? GHITA Lascia che vadano; di cosa importantissima io ti deggio parlar. (Lascia si rimanere soli) Posso teco spiegarmi con plena libertà? LILLA Cioè? GHITA Senti, l Infante è di te innamorato, e se a me credi, la tua fortuna è fatta! LILLA Come? Mi prendi tu per qualche matta? GHITA Fai meco la smorfiosa? LILLA Fo quello che far deve onesta sposa. Non sai ch io amo il mio Lubino? GHITA Amalo. Tienti la fede tua, tienti il tuo core; in materia d amore, a un Prence non si dà né cor, né fede. LILLA Cosa dunque? GHITA Parole! LILLA Parole? GHITA Sì, parole. Con lui stesso parlai; questa catena, preziosissimo dono, da recarti ei mi diede, ed a me diede una borsa di doppie sol perch io te ne parli. LILLA Tienti la tua catena, e dì al tuo Prence che finisca una volta di così infastidirmi. Io non accetto doni, io Principi non voglio, amo Lubino. GHITA Non perdere sorella, un occasion sì bella! Almen, pensaci su; da te non chiedo se non che tu l accolga con un po di maniera, che finga, che lusinghi, che prometta finché siamo ben ricche. LILLA Ed ingannarlo perché dovrei così? GHITA Per castigarlo! LILLA Castigarlo perchè? GHITA Ti par picciol delitto tentar una ragazza appena sposa? e tentarla con cosa? Con quattrini! LILLA Ma tu, giovane ancora, e contadina, dove apprendesti mai cose sì belle? GHITA Tutto quello ch io parlo ogni donna lo sa senza impararlo. Colla flemma che tu vedi, con quest aria di bontà, saprei far quel che non credi e che fan nella città. Fra saprei la spasimante senza mai sentir amore e di pietra avendo il core, dimostrare altrui pietà. Saprei passare dal pianto al riso, saprei cangiare l aria del viso, all improvviso mutar colore, far che mi palpiti con arte il core, tutto promettere, conceder poco, dir no con grazia, dir sì per gioco, ed altre simile bagatelluccie, con quell eccetera ch io non vo dir. Femmine amabili non vi lagnate, in questo secolo voi siete nate; per ben dagli uomini farvi sentir. (Parte.) LILLA Femmine amabili non vi fidate, in ogni secolo voi siete nate; per ben dagli uomini farvi istruir. (Parte.) Scena 4 (Corrado solo, poi la Ghita.) CORRADO (Entrando) Io spero che la Ghita abbia dato l assalto alla fortezza; Io non son senza speme Or che ceda la Lilla a me sol preme. Ceda pur a l Infante; purché a sentir l amante ella s avvezzi che la prima caduta è sempre la difficile Vien Ghitta Ebben, che c è di nuovo? GHITA Io non ho visto femmina più ostinata di costei. CORRADO Ma la catena? GHITA È nulla. CORRADO E l oro? GHITA Nulla affatto. CORRADO Guarda, figliuola mia, che cervel matto! Tu però non stancarti, Ghita mia, di adoprarti. Donna sollecitata è mezzo guadagnata; parla, prega, prometti, incoraggisci, istruisci, lusinga GHITA Ma signore, questa vostra premura questo foco ci mancherebbe poco ch io credessi voi stesso di Lilla innamorato. CORRADO Ah, che ti pare? Amare un uom par mio? Corrado amare? Osserva questo crine, ch è fatto omai d argento, il curvo collo osserva, la voce e l andamento che indebolisce e snerva il peso dell età. Fui già d amor seguace or son d amor nemico, amo la bella pace e la tranquillità. Conosco i danni miei, sì pazzo non sarei di por mai speme in femmina, ch un vecchio amar non sa. (ride) Malandrina, tu ridesti, e lo so che tu sapresti diventar d un orso amante per contante o per bontà. (Ghita sola.) GHITA Questi signori in somma credon coi lor quattrini di comprar tutto il mondo (Parte.) Scena 5 (Atrio terreno. La Regina e il Principe col suo seguito.) REGINA E perché non veggio l usata gioia rider nel volto dell amato figlio? PRINCIPE Se voi mel permettete, questa sera vorrei di Lilla e Ghita veder anch io le nozze. REGINA Andate, o figlio, tra le gioie innocenti di quelle buone genti ritornerà la calma al vostro seno. (Viene il Podestà coi villani, che portano doni del paese alla Regina.) PODESTÀ (Fra sè) Tornerà, tornerà, lo spero, almeno. REGINA Ma qual di cetre e di viole io sento suonar per l aria pastoral concento? CORO Di campagne, di montagne, di spelonche, di pendici, innocenti e abitatrici vengon ora al regio piè. Vengon qui per adorarti, per recarti un picciol dono, scorte sono da l amore, dal candore di lor fè. PODESTÀ Perdono, alma Regina, all ardir di costoro, al loro affetto, all ardente lor brama invan m opposi, invano contrastai; dalla campagna fero appena ritorno al rustico soggiorno che chieser di veder la lor Regina, ed insieme col core offrirle tutti, poi che meglio non han, fior, latte e frutti. REGINA Oh care, i doni accetto, son grata al vostro affetto; e perché sia la compiacenza mia nota alla villa lo rechi il buon Lisargo a Ghita e a Lilla. PODESTÀ, CORRADO Che generosità! REGINA Voi gite, o figlio, ed insieme con essi passate pur la notte in festa e in gioco. La virtù va onorata in ogni loco. CORO Di campagne, di montagne, ecc. (Partono, meno la Regina) Scena 6 (La Regina sola.) REGINA Chi mai diria che in questi rozzi tetti, e sotto queste pastorali spoglie tanta virtù, tanta onestà s accoglie! O felici abituri, o piagge amiche, di riposo e di pace alberghi veri. Quanto mai volentieri la vostr aura io respiro, e se il destino m avesse dato in sorte di vivere a me stessa, ingrato e vile mi fora ogni altro dono, e con voi cengerei la reggia e il trono. Ah, perché formar non lice ad ogni alma il suo destino, ch io per voi vivrei felice tra i piacer di libertà? E tra i semplici diletti dei pastori dell armento troverebbe il cor contento quel riposo ch or non ha. Ah, non erano le selve destinate per le belve! Là si trova, là si prova la mortal felicità. (Parte.) Scena 7 (Entrano il Principe e Corrado, ambedue con lunghi tabarri) PRINCIPE E possibil sarà che una villana resista ai desir miei, resista a tanti allettamenti di promesse, e doni? Ah, tu ben sai ch io doman partir debbo. Or che mi resta da far in una notte? CORRADO In una notte si fan le belle cose PRINCIPE Mi raccomando a te. CORRADO Dal canto mio, il possibil farò PRINCIPE Ma che dirian di me se mi servissi d un mezzo così vile? CORRADO Un amoroso inganno colpa non è Andiam un poco alle porte di Lilla; ivi Signore, qualche cosa accadrà. Sempre fui persuaso che l uom si debba porre in mano al caso. (Parte.) PRINCIPE Oh Ciel che duro passo è mai questo per me! Sentir mi pare una voce nel cor, che mi rinfacci la debolezza mia. Dunque un Infante, un figlio d Isabella, da una vile serrana ora è costretto a mendicare affetto, e a mendicarlo, ahimè!, con un inganno! A qual varco mi traggi, amor tiranno. Seguir degg io chi fugge? Chi mi disprezza amar? Saprò scacciar dal petto il mio funesto affetto, saprò aborrir la perfida che ride al mio penar. Saprò, ma intanto il core langue nel suo dolore e della mia speranza comincio a dubitar. Stelle ingrate, avversi Dei! Che volete ancor da me? Son confuso, son oppresso, non intendo più me stesso. A miei mali una speranza pur m avanza ancora in te. Scena 8 (Strada, da un lato la casa di Tita, dall altro alberi. Lilla sola, poi Ghita sulla porta, senza essere veduta.) LILLA La notte s avvicina, e ancor non veggio il mio sposo venir. Lubino! In questo giorno così poco tu brami di star con lei che t ama e tu tant ami? GHITA (fra sè) Che diavolo vuol dir che non vien Tita? Sta a veder che il birbante avrà trovata una novella amante. LILLA (Sospira.) Ahimè! GHITA (Non veduta dalla Lilla.) Questa è la Lilla La conosco ai sospiri. Lilla, che fai qui sola? LILLA Mi diverto. GHITA Ma so che meglio si divertiria se avesse Lubinetto in compagnia. LILLA Sì, sì, lasciam gli scherzi. Or che ne dici di questo lor tardar? (Si vedono in distanza alcuni pastori.) GHITA Infatti vedi tornar dal campo alcuni pastorelli, chieggiam un po se nuova hanno di quelli. LILLA, GHITA Villanelle che volgete lieto il passo al caro tetto, per pietà non mel tacete se vedeste il mio diletto, ahi, ahi, prima d andar via ahi, che pena, che dolor! Brunetto/vermiglio è il suo viso è nero/biondo il capel, e un vago sorriso lo rende più bel. Ah, tutte sen vanno, risposta non ho! Invidia n avranno di cosa io lo so. Scena 9 (Entrano il Principe e Corrado. E notte scura) PRINCIPE Eccola; al buio ancora riconosce il mio core il suo tesoro. Avviciniamci a lei. Non ammettono indugi i voti miei. CORRADO Lasciate fare a me! LILLA Ghita mia, ritiriamci, la notte si fa scura. GHITA E di cosa hai paura? LILLA Che so io? Con questo tuo bizzarro Principino io temo sempre d inquietar Lubino. CORRADO (sottovoce) Ha seco la cognata. PRINCIPE (sottovoce) Non serve, è nostra amica (Alterando la voce e nascondendosi col mantello) Lilla! CORRADO (Corrado fa lo stesso.) Ghita! LILLA Questo mi par Lubino. GHITA E questo Tita. CORRADO (Fra sè) Secondiamo l equivoco. GHITA (Piano alla Lilla.) Son essi senza fallo. Sposo mio! LILLA Mio Lubin! GHITA Parla! LILLA Non ti nascondere! GHITA, LILLA Ah tu segui, furbetto, a non rispondere! Dammi la cara mano, abbracciami, mio cor, tu se il mio dolce amor, non mi rispondi? PRINCIPE, CORRADO Son/È de begli occhi tuoi il fido adorator, un misero che muor se nol secondi. LILLA, GHITA Cieli! Quest è l Infante /Corrado! PRINCIPE Non mi fuggir mio bene. PRINCIPE, CORRADO Conforto alle mie/sue pene io/ei spero/a sol da te. LILLA Ah, se Lubino or viene! GHITA Ah, se mai Tita viene! LILLA, GHITA Che mai sarà di me? (Entrano Lubino e Tita) TITA Mi par di sentir gente. LUBINO Lilla! TITA Ghita! PRINCIPE, CORRADO, LILLA, GHITA Gli sposi, oh Dei! (Le due spose lasciano il Principe e Corrado, e s accostano ai loro sposi.) LILLA, GHITA Son qui ben mio. LUBINO, TITA Qui sei? E teco ancor chi v è? LILLA, GHITA Son questi contadini, che tornan dal lavoro. (Il Principe e Corrado si allontanano.) LUBINO, TITA E a voi così vicini? Sì uniti a voi perchè? Barbare gelosie, la pure gioie mie cessate di turbar. PRINCIPE, CORRADO (Stanno di dietro) (Fra loro) Mettamci qui in disparte e stiamo ad osservar. LILLA, GHITA Sai che te solo adoro, di me non dubitar. PRINCIPE, CORRADO Ah, nel momento stesso in cui sperai/sperò ristoro per sempre il mio/suo tesoro io vedomi/vedesi involar LUBINO, TITA Ah, se m inganna Lilla/Ghita, l idolo del cor mio! Di chi si deve, o Dio!, quest anima fidar? LILLA, GHITA Ah, s io Lubino/se il mio Tita inganno l idolo del cor mio! Di chi deve o Dio un anima fidar? (Partano tutti, meno il Principe.) Scena 10 PRINCIPE Di qual rigido marmo ha dunque il core, questa barbara tigre in volto umano? Quanto finora invano e promesse e lusinghe e querele e sospiri, infelice versai! Quale strade intentate, o Dio!, lasciai! Potea per una ingrata avvilirmi di più? Fuggirmi, odiarmi, rifiutarmi, schernirmi! Ah, ch io dovrei, abborrire quell empia, e di me stesso vergognarmi con me per tale eccesso. Perchè farla, eterni Dei, tanto bella agli occhi miei? O perchè non farla ancor che capace sia d amor! Abborrir vorrei l ingrata nè mi sento odio sì forte. Ma una rea che mi da morte è la Dea di questo cor. Martin y Soler,Vicente/Una cosa rara/II-2

• elvis @Wiki - Nichols 3

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